WAM Updates
Monday, August 20, 2018

Writing Museum Wall Labels: A Case Study

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Recently a new rotation of works on paper--featuring prints and drawings reflecting the Renaissance interest in anatomy--went on view in t...
Tuesday, August 7, 2018

Contributions of Southern African American women artists explored

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I’m thrilled to announce that my chapter, “Contrary Instincts: Art History’s Gendered Color Line,” was published in Central to Their Lives: ...
Monday, July 30, 2018

Sainsbury/WAM Fashioning Colors Symposium

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WAM partnered with the Sainsbury Institute for the Study of Japanese Arts and Cultures, one of oldest organizations devoted to the study o...
Monday, June 11, 2018

Why Curators Visit Art Fairs

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This spring I was invited by the Chinese University of Hong Kong to give a series of public lectures for their “Art and Museum Lecture Seri...
Friday, May 25, 2018

James Walker's monumental work, The Battle of Gettysburg: Repulse of Longstreet's Assault, July 3, 1863

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This past week I presented on the monumental canvas, The Battle of Gettysburg: Repulse of Longstreet’s Assault, July 3, 1863 , at the ...
Thursday, May 10, 2018

Europe’s Oldest Treatise on Swordfighting

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 I’m delighted to report that the new edition of my transcription and translation of Royal Armouries Manuscript I.33 has just become availab...
Tuesday, April 24, 2018

John La Farge’s ‘Most Curious’ Peacock Window

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The Peacock Window, completed near the end of his lifetime, is considered John La Farge's most experimental window. Originally, the wind...
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