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WAM Updates are short, informal posts that put the spotlight on small, but exciting, Museum-related projects, such as the addition of a new painting or sculpture to a gallery. They also serve as updates on staff, new services or programs, and other WAM news.

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Wednesday, May 22, 2019

Journey toward an exhibition: "With Child: Otto Dix / Carmen Winant"

On the trail of Otto Dix, there are exceptional people still forging on in the spirit of Dix himself, with his creative, painterly commitment to life in its manifestations: both its acute suffering and sensuality. Andrea Dix, the spouse of Jan Dix (Otto Dix’s youngest son, who died in January), is one of these people. She hosted me recently in her Bed and Breakfast, where she lived and worked with Jan, a stone's throw from Lake Constance, Germany, where I also visited the Museum Haus Dix.

Andrea Dix and Marcia Lagerwey (right)
stand at the doorway to Andrea's Bread and Breakfast home.
There, Dix and his family resettled after he was fired by the National Socialists from his teaching post at the Art Academy in Dresden and fled into inner emigration, still in Germany but close to Switzerland in case he needed to leave quickly. In Hemmenhoffen, he lived and worked, very isolated from the city that he loved, Dresden, and stranded in the natural world. “I feel like a cow in front of nature,” he said. But there, in that luscious landscape, he continued to work daily, his vision changing slowly to include landscape, while he raised his family and kept a low  profile. He was not permitted by the National Socialists to paint portraits that showed the underside of society at that time, but he managed to continue here and there to paint what he saw, a hard, dark vision of Germany in the thirties and forties.

Otto Dix's studio in the Museum Haus Dix.
As an artist, Andrea still works, as her husband Jan worked, to create exquisite jewelry, and, as it soon became clear to me, to carry forward the story of Jan’s father Otto Dix and his censored attempts to “create meaning for our times,” to be a witness, to show both ugliness and beauty, often side-by-side in the same image. Andrea’s human stories told while paging through photo albums over breakfast revealed a creative, dynamic family. I began to see Otto Dix in a new light, to understand better how he saw everything and had the courage to depict what he saw. This vision and a silver ring made by his son—a fertile female crescent—connected me to this family spirit and perhaps gave me a bit more courage to live fully myself.

Marcia Lagerwey and Andrea Dix (right)
explore photo albums of the Dix family.

Marcia Lagerwey, Guest Curator of With Child: Otto Dix / Carmen Winant (Sept 21 — Dec 15, 2019)
Oeningen, Germany
Saturday, May 18, 2019 (Posted May 22)

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