Welcome to WAM Updates

WAM Updates are short, informal posts that put the spotlight on small, but exciting, Museum-related projects, such as the addition of a new painting or sculpture to a gallery. They also serve as updates on staff, new services or programs, and other WAM news.

We hope you like reading the Updates! If you are interested in learning about something specific, or have a suggestion for a WAM Update, please update us at wamupdates@worcesterart.org

Thursday, September 12, 2019

Meet CMAI Artist Randy LeSage

Each year, Worcester Art Museum's Central Massachusetts Artist Initiative (CMAI) invites two artists who live or work in the greater Worcester area to have their art showcased in a solo installation in our Sidney and Rosalie Rose gallery, alongside other contemporary artists in our permanent collection.  The Current CMAI artist is Randy LeSage.

Randy LeSage shows several new works
in WAM's printmaking studio
Horizontal and vertical lines create shadows, the suggestion of buildings, trees and hills against a dark sky.  The landscape seems oddly familiar, one of the many 19th century factories that still dot the area, placed against the fields and waterways of the New England landscape.

However, the four prints of Randy LeSage’s Departure are not true landscapes, depicting an actual location; they are generalized, abstracted, and as the eye flows from one to the next there is a loss of structure, the rectilinear format giving way to something more fluid and irregular.

“The changing nature of the landscape has been a frequent condition of many of my works,” says LeSage, who has also created prints and paintings with titles such as Landscape Movements and Shifting Landscapes.  “The works that comprise Departure have…a relatively abstracted character.  This allows me to work in a freer manner than depicting specific forms and structures of a landscape or seascape.”

Demonstrating his process (see video below), LeSage begins by laying down lines to define the space on the paper, creating a balanced visual image – often incorporating common elements across a print series, such as right angles and deep curves – then introduces random elements to break that balance.  Sometimes balance is restored as he works, other times he pushes the imbalance as far as it will go.  “The idea is to surprise yourself,” he says, adding diagonal lines that were not present in previous pieces.  “You can’t repeat yourself, or the work dies.  It may have felt good the first time, but it has to keep changing.”

Two different versions of the same park
view, by Randy LeSage
Constant experimentation and change are also a hallmark of his body of work.  Scattered across the nearby tables are a wide variety of pieces: detailed line drawings of fictional landscapes; rough sketches of people seen on park benches; an impressionistic painting of trees in a field reminiscent of Monet, paired with an angular abstraction of the same scene.  Lesage explains, “the more abstract work I do, it naturally seems to call for a balance through more empirical study and specific accounts of everyday environment.  Vice versa, when more empirical or representational, the need for abstraction.”

Many of the works reflect the same visual elements and themes, particularly related to New England’s industrial landscape, and the heritage of the mills and factories of the industrial revolution.

A sketch of people in the park, and the more
detailed painting developed from it.
As a lifelong resident of Massachusetts, LeSage grew up immersed in that history and culture.  “I worked in a box factory, my parents in a shoe factory, other family members in other mills and factories.”  Throughout the 19th and early 20th century, that was the norm for many urban families, especially those of immigrant descent: generations were raised in company housing, worked their whole lives on the factory floor, and watched their children step into the same roles.  “There was a certain mentality, an orientation to that working class.  It was a struggle, and a separateness, being part of that community.”

By the time LeSage finished high school in the 1970s, the industries of central Mass were already beginning to wane.  “Now a lot of those old factories are stores or apartments, but they continue to populate our New England landscape.  It’s a past age, but it’s still amongst us.  It hasn’t been wiped away.”

Randy LeSage's artwork, Departure, will be on view in WAM's Sidney and Rosalie Rose Gallery through October 6, 2019.

-- Sarah Leveille
Digital Content Specialist
September 12, 2019

Departure by Randy LeSage, a series of four
abstract prints inspired by New England urban landscapes.


Recent WAM Updates