Marcia Lagerway, standing between Dix's The Pregnant Woman (1931) and Hippold-Ahnert's Sitting Pregnant Woman (1932, left). |
- The first exhibition of Otto Dix to focus on the theme of pregnancy and childbirth, despite it being a theme he returned to many times throughout his career. This, itself, provokes the question: why have critics ignored a theme that was clearly so important to him?
- The first to feature a dialogue between the works of a 20th-century German male artist (Otto Dix) and 21st-century American female artist (Carmen Winant). Each artist brings a unique perspective, while remaining dedicated to the goal of facing the experience of childbirth and pregnancy head-on.
- The first exhibition at WAM to provide, through both the labels and the brochure, a variety of voices of art and literary critics, journalists, medical practitioners, and Dix family members. Contributors include Dix scholar Olaf Peters, CUNY Art History professor Michelle Vangen, and the artist Carmen Winant herself.
- The first display outside of Germany of a painting by Gussy Hippold-Ahnert, master student of Otto Dix. Her Sitting Pregnant Woman (1932) will be hung beside the Museum’s The Pregnant Woman (1931), depicting the same model from two different angles – Hippold-Ahnert’s revealing the model’s face.
- The first showing of Otto Dix’s Pregnant Woman (1966) outside of Germany. This painting was his final nude portrait, and his last on this theme.
- The first visit to WAM by Otto Dix’s grandson, Leander Dix. He and artist Carmen Winant will be leading Opening Day tours of the exhibition at 11 a.m. and 1 p.m. — this Saturday, September 21. All tours are free with admission, but will be first-come first-served, so be sure to arrive early!
From left to right: Carmen Winant, Leander Dix and Marcia Lagerwey. |
There is no “objective” curatorial voice on the walls in the exhibition, inviting visitors to draw their own conclusions and respond with their own feelings to this powerful theme in art. There is no “right” response to either the exhibition as a whole or to individual works, and we hope to encourage conversations in our exhibition response book, in the community exhibition located in the Higgins Education Wing, and in related programs.
With Child: Otto Dix / Carmen Winant is a focused exhibition with an unusual and relevant theme, and we look forward to welcoming you to it and hearing what you think and feel.
--Marcia Lagerwey
Guest Curator, With Child: Otto Dix / Carmen Winant
September 18, 2019